Recently I watched the play "Raktakarabi" (The red oleander) written by Rabindranath Tagore & performed by the theater group "Nagarik". It is a symbolical play aimed at the vices of capitalism and totalitarianism and rekindling the personal spirit. However the poet terms the play realistic and says:
There was a time when, in the human world, most of our important dealings with our fellow-beings were personal dealings, and the professional element in society was never hugely disproportionate to the normal constitution of its life.
...Today another factor has made itself immensely evident in shaping and guiding human destiny. It is the spirit of organization, which is not social in character, but utilitarian...
... But the personal man is not dead, only dominated by the organized man. The world has become the world of Jack and Giant the Giant who is not a gigantic man, but a multitude of men turned into a gigantic system.
Yes, and the play show how the system suppresses the personal man. In an imagined land full of gold mines the King rules with his Army, the Sarders. The inhabitants are simply known to the ruler as numbers instead of names. Just like exploiting the workers of modern day Tea-garden workers, they are encouraged to forget their pain by taking alcohol and they are threatened not to say something against those Sarders or the King. Then came Nandini, a symbol of free and glorious human spirit wearing Raktakarabi (The red orleander flower). She affects Ranjan, Bishu and others with her elegance, beauty and naive thoughts. She has no fear. She can tackle the Sarders and most importantly goes to the den of the King (who hides himself to be deemed by others as a fearsome being) asking him lot of questions that the King himself cannot answer. He also becomes affected by Nandini's logics as she finds himself as a mere human. The Sarders try to suppress the revolution against the King by killing Ranjan and punishing others. But then the strangest thing happens; the King comes out with Nandini and others and destroys the system created by him.
Truly the play focuses the strength of the eternal human spirit against the backdrop of the dark cruelty of monstrous organizations and administrations that have lost their souls. How ironic compared to the modern day rift between the government decisions and general citizens in a democratic outset.
Here is the review of the play. Aupi Karim (her biography) portrayed Nandini elegantly and proved that she is a very spirited young actor. Among others Khaled Khan was outstanding in the role of Bishu.
This entry was posted
on December 21, 2003
at Sunday, December 21, 2003
and is filed under
review
. You can follow any responses to this entry through the
comments feed
.
About Me
Categories
- Art
- Awami League
- Bangla
- Bangladesh
- Bangladeshi
- Berlin
- Blog
- Bloggers
- Blogs
- BNP
- Breaking News
- cartoon
- censorship
- citizen journalism
- corruption
- cricket
- Culture
- Development
- Dhaka
- diary
- Disaster
- Earthquake
- economy
- Education
- Election
- energy
- entertainment
- environment
- Food
- Football
- genocide
- Germany
- Global Voices
- Global Warming
- Globalization
- Guest Post
- Health
- history
- Human Rights
- humor
- India
- Indonesia
- international relations
- Internet
- Jakarta
- Khaleda Zia
- labor
- Language
- Law
- Liberation war
- Links
- Literature
- London
- Media
- Microcredit
- mobile
- movie
- Music
- Natural Disaster
- New Media
- Pakistan
- Photoblog
- Photography
- Podcast
- Poems
- Politics
- Poverty
- Press freedom
- privacy
- protest
- Quotes
- racism
- Religion
- review
- Rianna
- Sheikh Hasina
- Social media
- society
- Technology
- Terror
- translation
- Travel
- USA
- Video
- War
- web 2.0
- world cup
- Yunus
Popular Posts
Archives
-
▼
2003
(227)
-
▼
December
(42)
- HELP IRAN QUAKE VICTIMS Little drops of water c...
- BLOG ROUNDUP # Worldchanging blog posts links a...
- BANGLADESH EXTENDS HER HELPING HAND TO IRAN FOR QU...
- DEATH OF BANGLADESHI PEACEKEEPERS When the Thur...
- ON THE LIGHTER SIDE
- IRANI DANCER DETAINED Iran's best known female ...
- WE WANT ENLIGHTENED PEOPLE
- UPDATE ON IRAN QUAKE Sunnetwork says Iranian of...
- CONTACT LOST BBC reports: The Mars Odyssey spac...
- QUOTE OF THE DAY
- X-MAS IN BANGLADESH
- Bollywood movies online via kazaa! Worldchangin...
- FEAR & RESPECT
- RAKTAKARABI: REVOLUTION OF PERSONAL SPIRIT AGAINST...
- The Many Ways of Being Modern Michael Elliott, ...
- TIME PERSON OF THE YEAR 2003 This year the ...
- CAN BUSH BE BEAT? Take part in the MSNBC poll a...
- GIFT CHOICES - FOR EFFECTIVE USE OF YOUR MONEY ...
- BOMB JAMMER The assassination attempt on Pakist...
- VICTORY DAY: 16th of December
- QUOTES OF THE DAY
- The Concert for Bangladesh
- The history of Independence of Bangladesh
- In remembrance: December 14, 1971
- SADDAM CAPTURED ALIVE Now it is confirmed that th...
- CONFOUNDING CONSUMPTION Laura is critic about e...
- MUGABE MUSINGS Robert Mugabe, the Zimbabwe's P...
- QUOTE OF THE DAY
- MONEY MATTERS IN AN UNEQUAL WORLD
- QUOTE OF THE DAY Man is a tool-using animal. ...
- SOME USEFUL TOOLS
- ROAD FROM EAST PAKISTAN TO BANGLADESH
- TACKLING AIDS THREAT
- TERROR ALERT PROVEN A HOAX
- ASIA WEBLOG AWARDS 2003
- WHAT'S HOT IN BLOGOSPHERE Carnival of the vanit...
- TEST YOUR DIGITAL IQ I scored 122.
- Might vs. Right We often quote the phrase "Migh...
- THE NEW HOTMAIL MSN's HOTMAIL (originally SABBI...
- SAFE CROSS BORDER TRADING The abbreviation of S...
- TOP TEN INTERNET FADS According to an article i...
- MICHAEL JACKSON'S TRUE FACE Some say that Micha...
-
▼
December
(42)
















0 comments
Post a Comment
0